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Description
bolle laika ski goggles Bolle BG007011 Bedrock Black Matte Grey Cat 3The Bedrock ski goggles from Bolle are affordable for skiers getting into the sport or if you need a last minute replacement goggle for your ski trip. Whether youre carving down groomed runs or tackling off piste adventures, the Bolle Bedrock has everything you need and nothing you dont. Cylindrical double lens Anti Fog treatment Anti Scratch treatment 100% UVA UVB Protection Flow Tech Venting Single density foam Silicone on strap OTG friendly Optical
The Bedrock ski goggles from Bolle are affordable for skiers getting into the sport or if you need a last-minute replacement goggle for your ski trip. Whether you’re carving down groomed runs or tackling off-piste adventures, the Bolle Bedrock has everything you need and nothing you don’t.
- Cylindrical double lens
- Anti-Fog treatment
- Anti-Scratch treatment
- 100% UVA/UVB Protection
- Flow Tech® Venting
- Single density foam
- Silicone on strap
- OTG friendly
- Optical Clip Compatible
Even though all ski goggles filter 100% of UV rays, not all of them transmit the same amount of light. Depending on the weather conditions, you will therefore not have the same needs. This is why solar categories classify the ski goggles. These 5 categories indicate the amount of light filtered.
- Category 0: transparent screens. They let through 80 to 100% of light and are intended for evening / night time.
- Category 1: clear screens allowing good visibility in cloudy weather. They transmit between 43 and 80% of luminosity and thus allow to increase contrasts and reliefs. Ideal for skiing in bad weather and in fog.
- Category 2: offers good protection against glare by allowing between 18 and 43% of brightness. These screens allow you to ski in cloudy weather or in the shade. They are also suitable for sunny weather if you are not too sensitive to light.
- Category 3: ideal for a day's skiing in good weather as it effectively protects against solar glare. These screens only transmit 8 to 18% of light for skiing in peace on sunny days.
- Category 4: is intended for high-altitude terrain such as glaciers. These screens only transmit 3 to 8% brightness to ensure extreme protection and are not intended for general skiing. This protection factor is rarely intended for ski goggles and must be reserved for glacier eyewear.
The screens of ski goggles benefit from numerous treatments to bring you maximum comfort and performance during your outings in the mountains.
- Polarizing treatment: it is applied to all category 3 ski goggles and to certain photochromic screens. It increases contrasts and reduces reflections. The polarizing treatment offers real visual comfort and excellent optical definition.
- Anti-fog treatment: applied inside the lens after manufacturing, it is essential to prevent fogging of your ski goggles. This treatment is now present on all ski goggles - the vast majority of them are, moreover, built with a double lens to limit the appearance of fogging. To ensure the proper hold of the anti-fog treatment, it is recommended not to clean the inside of the mask screen when it is wet to avoid damaging the anti-fog treatment.
- Mirror treatment: it's not just an aesthetic choice. The mirror effect protects your eyes from the glare of the sun caused by the reflection on the snow. The mirror treatment applied to a mask can display different shades. On category 1 masks, suitable for bad weather, the mirror treatment is often transparent. On category 2 and 3 ski goggles, you can play more with the colors depending on the style you are looking for.
- Anti-scratch treatment: it protects the screen of your ski goggles from scratches.
Shipping Notes
- Free Standard Shipping on $100+ Orders to the USA.
- Except Preorder products are shipped in 48 hours.
- Delivery to the USA:
- Standard Shipping : 3-10 business days
- If time is of the essence, please consider selecting expedited delivery for faster service.
Exchange/Return Notes
- We offer a 30-day return/exchange service after receiving.
- Final sale items are not eligible for returns or exchanges.
- To process your return/exchange, please contact us at [email protected]
- Please click here for more details>>> Return & Exchange Policy
4.8 ★★★★★
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Product Reviews
★★★★★ 5
FYI These are worth it!
Color: Caviar PDRN, Color: Caviar PDRN
These eye patches are really nice and worth it. I use them mainly on the weekends (when I don’t wear makeup). I wash my face and apply them under my eyes (I have also used them on my neck , forehead, corners of mouth, and between the brows for extra moisture) I leave them on about 30 minutes or more, peel them off, pat in the left over product; and my under-eye area looks a lot brighter and awake! I then apply and complete the rest of my skincare routine. (Under eye serum, face serum, and moisturizer). These patches are also very pretty, they make me feel like a mystical sea creature; think mermaid! My advice is make sure you are in fact using one, they are very thin and transparent and a few times i was actually applying more than one. With that being said there are A LOT of patches in the container.
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Reviewed in the United States on May 24, 2026
★★★★★ 4
Good product.
Color: Caviar PDRN
Good Product.
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Reviewed in the United States on June 7, 2026
★★★★★ 5
🫶🏻
Color: Caviar PDRN
I love these. I put these on every morning when I’m getting ready. Sometimes I’ll even leave them on under sunglasses if I’m just doing school drop off 😆 They don’t slide off, they really help brighten and de-puff my under eyes, they have a cooling effect, unscented, and there’s no irritation. They also help concealer go on super smooth. I recommend!
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Reviewed in the United States on May 18, 2026
★★★★★ 5
super hydrating
Color: Caviar PDRN
I love the full face mask but this is nice for a more frequent refresh. They are super convenient and work really well.
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Reviewed in the United States on June 4, 2026
★★★★★ 5
The Perpetual Joke
One of the best films I have ever seen is The Killing. It can boast a great many things. It can proudly say that it is the best heist film ever made and that it is the creme dela creme of film noir. Out of all the films in my top ten favorites, The Killing is easily the most watchable and purely entertaining. It doesn't try to be much more than a crime picture. A crime picture written by the legendary Jim Thompson of course. Thompson is one of the best American crime writers, well ever. And his work in The Killing is simply exemplary and total-classic Thompson. The film can also boast having a brilliant cast. Sterling Hayden, Elisha Cook Jr., and Marie Windsor soar, it can boast having possibly the strongest ensemble in all of the crime genre. It can boast having a pitch perfect tone and a distinctly unique and absorbing atmosphere. It can brag about the extraordinary tracking shots throughout or the lighting that startles and dazzles and vibes, melts. It can brag about being fun and devious and sly. It can brag about being unpredictable and clever. Smart. It can brag about being one the greatest films ever made. It's honestly that perfect.
And did I mention that some guy named Stanley Kubrick directed the thing?
The Killing is a film about a group of men who plan to knock off a racetrack, those who seek to thwart them, and how it all plays out. The characters are unforgettable. The Killing has in it's repertoire more than just a few of my favorite noir characters. What makes the players so special is that all of them are so sympathetic. Really. My heart goes out to each and every one of them, understanding and empathy seldom hits this hard within the parameters of the heist and noir genre. But here, the damn thing works every time. I've seen the film several times and I still physically act as if every time is my first. I cover my hands over my mouth in astonishment, I bite my nails in anticipation, I drum on my knees with rhythmic excitement, I laugh out loud, and I cheer relentlessly for everyone involved. I imagine myself as a member of the outfit. I have so much fun with this twisted picture that it's ridiculous.
Okay.
Lucien Ballard. Dick Tower. Earl Snyder. The men who walk the walk. One of the most dazzling things about The Killing is it's technical brilliance. The thing looks absolutely gorgeous and twisted and just right. Smokey and sexy and rough. There are shots in this film that your eyes can more than feast on, they can devour them. There are sequences of sight and sound and light that will make you fall in love with noir all over again. If that's not enough, Jim Thompson's dialogue will make your head spin it's so good. You'll find yourself quoting it to yourself without warrant or cause. The beats and the meter and time and scale of Thompson's writing will send you for a ride. Great dialogue and a truly complex and understated plot, the inner workings of which are not only of the heart-pounding variety but the very fabric that it is woven into is absolutely compelling.
There is a subtext here as well. I don't think Kubrick ever really made a film just for the sake of doing so, he always had something deeper to communicate on top of it. The Killing communicates within the subtext the idea of the perpetual joke. Borderline Absurdism. Characters die literally howling about not being able to understand their own private punchline. Robberies take place by men in the guise of clowns. Think Hayden Sterling as Pagliacci The Clown. The Killing feels like a crime film written by Jim Thompson, directed by Stanley Kubrick, and dreamt up by Albert Camus. The idea that everything is absurd, that life is a frenzied haywire with a morbid sense of humor. I think Sterling's Johnny finally understood the great joke of life at the end of it all. And its pointless brand of mischief.
It is fascinating seeing the great Stanley Kubrick, before he really was the GREAT Stanley Kubrick, working within the framework of the crime genre. Kubrick excels here, even if he was limited by boundaries of style and time. He is a filmmaker that mastered every genre he dabbled in. He is not only one of the greatest directors that ever lived but he is my personal favorite one. His films have a crazy power, an uncanny transcendental quality to them. The Killing possesses every bit as much magic that his post 2001 films do. The Killing has a little bit more than that as well. It has an incredible watchability factor. I could watch The Killing once a week for the rest of my life and still not get tired of it.
I think I'll do just that. Why not? You only live once, right?
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Reviewed in the United States on July 17, 2014
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